He remembers his happy past, "By yon bonnie banks Loch Lomond by Frank Ticheli. The lyric intertwines the sadness of the soldier's plight with images of Loch Lomond's stunning natural beauty. The final statement combines the Scottish tune with the well-known Irish folksong, "Danny Boy. Although all other players are supportive in nature, they should nonetheless play with a full, rich sound. In measures 39 to 46, strive to maintain equal balance between the melody trumpets 1 and 2 and the countermelody clarinets 1 and 2, alto saxophone 1, joined by the 3rd clarinets in measure 
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franm In measures 98 and 99, bring out those notes with tenuto markings clarinet 2 and llch 1 in measure 98; horn 2 and euphonium in measure 99and allow them to linger a bit. Final statement with its countermelody, and entrance of "Danny Boy" as a second countermelody. The piccolo and clarinet solos should sound easily in the foreground without being forced. In measures 81 to 89, there are three main ideas sounding in counterpoint with one another: After the battle, many Scottish soldiers were imprisoned within England's Carlisle Castle, near the border of Scotland.
But the broken heart it kens Nae second Spring again, Tho' the waeful may cease frae their greeting.
Loch Lomond by Frank Ticheli
The final statement combines the Scottish tune with the well-known Irish folksong, "Danny Boy. One of them was to be executed, while the other was to be set free. The song is from the point of view of the soldier who will be executed: Although all other players are supportive in nature, they should nonetheless play with a full, rich sound.
In the song, the spirit of the dead soldier shall tichel first, while the living soldier will take the "high road" over the mountains, to arrive afterwards.
In measures 39 to 46, strive to maintain equal balance between the melody trumpets 1 and 2 and the countermelody clarinets 1 and 2, alto saxophone 1, joined by the 3rd clarinets in measure Order this title here Again, strive to maintain roughly equal balance between them, allowing neither melody to overpower the other.
He remembers his happy past, "By yon bonnie banks Beginning in measure 89, the countermelody drops out, leaving only the two main melodies. It is this same battle that indirectly gives rise to this beautiful song.
In measures 57 to 65, the sustained notes should remain well in the background, like a very quiet string orchestra. The music should flow, not float.
GIA Publications - Loch Lomond
Loch Lomond by Frank Ticheli. When he sings, "ye'll tak' the high road and I'll tak' the low road" in effect he is saying llmond you will return alive, and I will return in spirit. The two melodies should sound in the foreground, and in roughly equal balance, whereas the countermelody may sound in the middleground.
According to Celtic legend if someone dies in a foreign land, his spirit will travel to his homeland by "the low road" - the route for the souls of the dead. The lyric intertwines the sadness of the soldier's plight with images of Loch Lomond's stunning natural beauty.
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